Overview
Houston Ballet's 2016/17 Mixed Rep Program Director's Choice: American Ingenuity Featured:
George Balanchine’s Theme and Variations (1947), the Houston Ballet Premiere of Jerome Robbins’ Other Dances (1976), and the Houston Ballet Premiere of William Forsythe’s Artifact Suite (1998).
...A GENEROUS AMOUNT OF SOPHISTICATION TO THE SENSE OF CONTROL.
HOUSTON PRESS
SYNOPSIS
Theme and Variations Description
Set to the final movement of Tchaikovsky’s “Suite No. 3 in G,” George Balanchine's Theme and Variations explores classic ballet training, focusing on preparatory movements that were developed to train and warm-up the dancer’s body. Taking these steps further, Balanchine produced some very challenging choreography. Themes and Variations was intended, as Balanchine wrote, “to evoke that great period in classical dancing when Russian ballet flourished with the aid of Tchaikovsky’s music."
Other Dances Description
Famed American choreographer Jerome Robbins’ Other Dances is a pas de deux created on legendary dancers Natalia Makarova and Mikhail Baryshnikov. Set to music by Chopin, four mazurkas and one waltz, the piece was specifically crafted to display Makarova and Baryshnikov’s legendary technique and artistry. Other Dances, through its simplicity and virtuosity, pays homage to both Chopin’s Romanticism and the fluidity of classical ballet technique, while also containing playful influences of folk dance. Other Dances had its premiere in 1976 at a New York Public Library for the Performing Arts benefit.
Artifact Suite Description
Intended for 35 dancers, Artifact Suite is an edited version of an evening-length ballet Artifact created in 1984 for Ballett Frankfurt. Here Mr. Forsythe shortens the ballet into a stunning piece that preserves all of the original ballet’s striking innovation and power. Artifact Suite is considered a major choreographic achievement that succeeds in deconstructing and reconstructing the rules of traditional ballet without denying its traditional technique. Rules are both extended and broken in this work whose powerful images perturb theatrical imagery and push the play of optical illusions to their limits. Writing for the San Francisco Chronicle, dance correspondent Allan Ulrich wrote, “But Forsythe's skewed classicism, the abrupt transitions, the constantly evolving patterns for the 30-member corps and the omnipresent tension simmering under the surface suggest a vision of ballet for the 21st century” (February 26, 2011).
ARTISTS
George Balanchine (1904-1983)
CHOREOGRAPHER, THEME AND VARIATIONS
Born in St. Petersburg, Russia, George Balanchine is regarded as the foremost contemporary choreographer in the world of ballet. He came to the United States in late 1933, at the age of 29, accepting the invitation of the young American arts patron Lincoln Kirstein (1907 - 1996), whose great passions included the dream of creating a ballet company in America. At Balanchine’s behest, Kirstein was also prepared to support the formation of an American academy of ballet that would eventually rival the long-established schools of Europe. This was the School of American Ballet, founded in 1934, the first product of the Balanchine-Kirstein collaboration. Several ballet companies directed by the two were created and dissolved in the years that followed, while Balanchine found other outlets for his choreography. Eventually, with a performance on October 11, 1948, the New York City Ballet was born. Balanchine served as its ballet master and principal choreographer from 1948 until his death in 1983. Balanchine’s more than 400 dance works include Serenade (1934), Concerto Barocco (1941), Le Palais de Cristal, later renamed Symphony in C (1947), Orpheus (1948), The Nutcracker (1954), Agon (1957), Symphony in Three Movements (1972), Stravinsky Violin Concerto (1972), Vienna Waltzes (1977), Ballo della Regina (1978), and Mozartiana (1981). His final ballet, a new version of Stravinsky’s Variations for Orchestra, was created in 1982. He also choreographed for films, operas, revues, and musicals. Among his best known dances for the stage is Slaughter on Tenth Avenue, originally created for Broadway’s On Your Toes (1936). The musical was later made into a movie. A major artistic figure of the twentieth century, Balanchine revolutionized the look of classical ballet. Taking classicism as his base, he heightened, quickened, expanded, streamlined, and even inverted the fundamentals of the 400-year-old language of academic dance. This had an inestimable influence on the growth of dance in America. Although at first his style seemed particularly suited to the energy and speed of American dancers, especially those he trained, his ballets are now performed by all the major classical ballet companies throughout the world. ©The George Balanchine Trust
Pyotr Ilyich Tchaikovsky (1840-1893)
COMPOSER, THEME AND VARIATIONS
Pyotr Ilyich Tchaikovsky (25 April/7 May 1840 – 25 October/6 November 1893), often anglicized as Peter Ilyich Tchaikovsky, was a Russian composer of the late-Romantic period, some of whose works are among the most popular music in the classical repertoire. He was the first Russian composer whose music made a lasting impression internationally, bolstered by his appearances as a guest conductor in Europe and the United States. Tchaikovsky was honored in 1884, by Emperor Alexander III, and awarded a lifetime pension.
Jerome Robbins (1918-1998)
CHOREOGRAPHER, OTHER DANCES
New York-born choreographer Jerome Robbins, one of the first great American ballet masters, had a wide-ranging career in the fields of both theater and dance – as a performer and choreographer in ballet and musical theater, and as a director and choreographer in theater, movies, television and opera.
In a career that spanned five decades, he won four Tony Awards, two Academy Awards, an Emmy, and countless other awards for his achievements. He joined Ballet Theatre (now American Ballet Theatre) in 1940 and choreographed his first work, Fancy Free, for that company in 1944. This was followed by Interplay (1945) and Facsimile (1946), after which he embarked on a prolific and enormously successful career as a choreographer and later as a director of Broadway musicals and plays. He was simultaneously creating ballets for New York City Ballet, which he joined in 1949 as associate director with George Balanchine.
Frédéric Chopin (1810-1849)
COMPOSER, OTHER DANCES
Frédéric François Chopin (1 March 1810 – 17 October 1849), born Fryderyk Franciszek Chopin was a Polish composer and virtuoso pianist of the Romantic era who wrote primarily for the solo piano. He gained and has maintained renown worldwide as a leading musician of his era, whose "poetic genius was based on a professional technique that was without equal in his generation."
Chopin was born in what was then the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising.
William Forsythe
CHOREOGRAPHER, ARTIFACT SUITE
Raised in New York and initially trained in Florida with Nolan Dingman and Christa Long, Mr. Forsythe danced with The Joffrey Ballet and later the Stuttgart Ballet, where he was appointed resident choreographer in 1976. Over the next seven years, he created new works for the Stuttgart ensemble and ballet companies in Munich, The Hague, London, Basel, Berlin, Frankfurt am Main, Paris, New York, and San Francisco. In 1984, he began a 20-year tenure as director of the Ballet Frankfurt. Under his leadership, the Frankfurt Ballet was transformed from a capable regional troupe into one of Europe’s foremost dance ensembles.
Mr. Forsythe’s ballets have entered the repertoires of the world’s leading companies, including the New York City Ballet, the Paris Opera Ballet, the Royal Ballet of London, the Nederlands Dans Theater, and the Royal Swedish Ballet. In March 2003, he received the prestigious Dance Magazine Award for his contribution to the field of dance. After the closure of the Frankfurt Ballet in 2004, Mr. Forsythe established a new, more independent ensemble, The Forsythe Company in 2005.
Johann Sebastian Bach (1685-1750)
COMPOSER, ARTIFACT SUITE
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint, harmonic and motivic organisation, and the adaptation of rhythms, forms, and textures from abroad, particularly from Italy and France.
Bach's compositions include the Brandenburg Concertos, the Goldberg Variations, the Mass in B minor, two Passions, and over three hundred cantatas of which around two hundred survive. His music is revered for its technical command, artistic beauty, and intellectual depth.
HISTORY
THEME AND VARIATIONS REPETOIRE HISTORY
This was Houston Ballet’s sixth time performing George Balanchine'sTheme and Variations as a part of its main season; Theme and Variations was also performed at Miller Outdoor Theater and the Woodlands Mitchell Pavilion. Theme and Variations was originally staged for Houston Ballet by San Francisco Ballet's Artistic Director Helgi Tomasson in 1985.
THEME AND VARIATIONS PRODUCTION DETAILS
CHOREOGRAPHER: George Balanchine © The George Balanchine Trust
GENRE: Neo-Classical Ballet
RUN TIME: Ballet in 1 Act; 21 minutes
LOCATION: Brown Theater at the Wortham Theater Center in Houston, Texas
COMPOSER: Pyotr Ilyich Tchaikovsky
SCORE: Final movement of “Suite No. 3 for Orchestra in G major, Op. 55”
ORIGINAL PREMIERE DATE: November 26, 1947 at City Center of Music and Drama in New York for Ballet Theater (renamed American Ballet Theatre)
HOUSTON BALLET PREMIERE DATE: May 30, 1985 at the Jones Hall for the Performing Arts in Houston, Texas
COSTUME DESIGN: Karinska, after Woodman Thompson
HOUSTON BALLET LIGHTING DESIGN: Tony Tucci
HOUSTON BALLET LIGHTING RECREATION: Lisa J. Pinkham
STAGER FOR HOUSTON BALLET (2016): Merrill Ashley © The George Balanchine Trust
BALLET MASTER (2016): Louise Lester
HOUSTON BALLET ORCHESTRA CONDUCTOR (2016): Ermanno Florio
HOUSTON BALLET STAGE MANAGER (2016): Michelle de los Reyes
SPECIAL PROGRAM NOTES (2016): Houston Ballet’s 2016 performances of Theme and Variations, a Balanchine Ballet, were presented by arrangement with ©The George Balanchine Trust and has been produced in accordance with the Balanchine Style© and Balanchine Technique© Service standards established and provided by the Trust.
OTHER DANCES REPERTOIRE HISTORY
This will be Houston Ballet’s first time performing Jerome Robbins' Other Dances. Other works by Jerome Robbins in Houston Ballet’s repertoire include In the Night, The Concert, Afternoon of a Faun, Fancy Free, and West Side Story Suite.
OTHER DANCES PRODUCTION DETAILS
CHOREOGRAPHER: Jerome Robbins
GENRE: Neo-Classical Ballet
RUN TIME: Ballet in 1 Act; 17 minutes
LOCATION: Brown Theater at the Wortham Theater Center in Houston, Texas
COMPOSER: Frédéric Chopin
SCORE: “Mazurka (op. 17, no. 4), Mazurka (op. 41, no. 3), Waltz (op. 64, no. 3), Mazurka (op. 63, no. 2), Mazurka (op. 33, no. 2)”
ORIGINAL PREMIERE DATE: May 9, 1976 at the Metropolitan Opera House for Gala in honor of the New York Public Library for the Performing Arts
COSTUME DESIGN: Santo Loquasto
LIGHTING DESIGN: Jennifer Tipton
LIGHTING RECREATION: Perry Silvey
STAGERS FOR HOUSTON BALLET (2016): Jean-Pierre Frohlich and Isabelle Guerin-Frolich © The Jerome Robbins Foundation and Trust
BALLET MASTER (2016): Steven Woodgate
HOUSTON BALLET ORCHESTRA CONDUCTOR (2016): Ermanno Florio, with pianist Katherine Ciscon
HOUSTON BALLET STAGE MANAGER (2016): Michelle de los Reyes
ARTIFACT SUITE REPERTOIRE HISTORY
This will be Houston Ballet’s first time performing William Forsythe's Artifact Suite. Other works by William Forsythe in Houston Ballet’s repertoire include In the middle, somewhat elevated and The Vertiginous Thrill of Exactitude. Houston Ballet will perform Artifact Suite in Los Angeles during "Celebrate Forsythe" in October 2016, part of the month long "Fall for Forsythe" celebration.
ARTIFACT SUITE PRODUCTION DETAILS
CHOREOGRAPHER: William Forsythe
GENRE: Contemporary Ballet
RUN TIME: Ballet in 1 Act; 45 minutes
LOCATION: Brown Theater at the Wortham Theater Center in Houston, Texas
COMPOSER: Johann Sebastian Bach with varations by Eva Crossman-Hecht
SCORE: Bach’s “Chaconne from Partita Nr. 2 BWV 1004 in D-Minor" and Eva Crossman-Hecht’s “Score for solo piano”
ORIGINAL PREMIERE DATE: February 24, 1998 for Ballett Frankfurt (as 4 Act ballet, Artifact); September 15, 2004 at Theatre Royal in Glasgow, Scotland by Scottish Ballet (as "Suite From Artifact")
COSTUME DESIGN: William Forsythe
SET DESIGN: William Forsythe
LIGHTING DESIGN: William Forsythe
LIGHTING TECHNICIAN: Tanja Rühl
SOUND TECHNICIAN: Ben Young
STAGERS FOR HOUSTON BALLET (2016): Kathryn Bennetts and Noah Gelber with William Forsythe
BALLET MASTER (2016): Steven Woodgate and Barbara Bears
HOUSTON BALLET ORCHESTRA CONDUCTOR (2016): Ermanno Florio, with pianist Margot Kazimirska
HOUSTON BALLET STAGE MANAGER (2016): Michelle de los Reyes
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